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RZAвЂ™s understated production, consisting of a drum loop and spare keyboard note, puts the focus on RaekwonвЂ™s vivid rhymes. вЂњIncarcerated ScarfacesвЂќ is a striking depiction of life in Staten IslandвЂ™s projects.

Meanwhile, вЂњSpot RusherzвЂќ is a captivating account of Raekwon plotting and executing a robbery of another rival dealer that comes in from out of town, horning in on RaeвЂ™s territory. Raekwon exhibits his narrative ability on вЂњKnowledge God,вЂќ painting a meticulous picture of a rival dealer, Mike Lavonia, and his own efforts to take him out. Armed with an excellent gift for detail, Rae graphically describes intricate tales of living extra legally, hustling to make money through dealing drugs and dispensing death. Long influenced by precise storytellers like Rakim and Slick Rick, Rae invokes feelings of fellow lyrical titan Kool G Rap this time out. The album brings RaekwonвЂ™s skill as a street correspondent into sharp focus. OB4CL rocketed Raekwon into the A-list of emcees, as his performance here is in another stratosphere. The album is a clinic in hip-hop sound manipulation, both subtle and bombastic. The AbbottвЂ™s dusty style was already transformative when the Wu-Tang was first introduced, but by OB4CL, he had further refined his approach, creating a unique atmosphere without sacrificing any of the grit. RZAвЂ™s effort behind the boards is indispensable to OB4CLвЂ™s success, as the album was his best production effort at the time. Ghostface KillahвЂ™s alias вЂњTony StarksвЂќ has endured throughout his career.

For example, Raekwon became вЂњLou DiamondsвЂќ (eventually morphing into Lex Diamonds), while Inspectah Deck became вЂњRollie FingersвЂќ and Masta Killa became вЂњNoodles,вЂќ just to name a few. Furthermore, Raekwon gave all of the members of the Clan Mafioso-influenced aliases for the duration of the album. Dialogue from John WooвЂ™s The Killer and Brian DePalmaвЂ™s Scarface are interspersed throughout the album, lending to its mood. OB4CL unfolds like a late вЂ™70s/early вЂ™80s crime flick. OB4CL influenced acts for years to come, including Clipse, Roc Marciano, and the Griselda camp.

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Sure, rappers had rapped about slanging cocaine and crack before (Mob Style, Geto Boys, etc.), but this project practically created a sub-genre. Its depiction of ground-level street dealing and criminal escapades is fantastically detailed yet anchored in reality. OB4CL is just as influential and revelatory as Enter The Wu-Tang. He earned acclaim and recognition for his opening verse on the albumвЂ™s biggest single, вЂњC.R.E.A.M.вЂќ However, I donвЂ™t think many were expecting his solo release to be quite the tour de force that it clearly is. Raekwon had been one of the ClanвЂ™s workhorses on Enter The Wu-Tang. After leading with Enter The Wu-Tang, solo releases by two of the ClanвЂ™s most charismatic emcees emerged in the form of Method ManвЂ™s Tical (1994) and OlвЂ™ Dirty BastardвЂ™s Return To The 36 Chambers: The Dirty Version (1995). Wu-Tang ClanвЂ™s roll out in the mid-1990s is the stuff of legend, and in 1995, they were firing on all cylinders. Released 25 years ago, itвЂ™s among the best Wu-Tang Clan related albums ever released, and also sits comfortably as one of the greatest hip-hop albums ever made. And it permeates nearly every bar of nearly every song on Only Built 4 Cuban LinxвЂ¦, the debut album by Corey вЂњRaekwon The ChefвЂќ Woods. The influence of this criminal activity is definitely present on Wu-Tang ClanвЂ™s transcendent debut album, Enter The Wu-Tang (36 Chambers) (1993). Like many aspiring emcees, members of the camp made their living through extra-legal means, seeking out hip-hop as a way to escape the violence and criminal activity that surrounded them. Shao-Lin shaped many of the emcees in the collective. Life in the rugged sections of Staten Island a.k.a. The teachings of the Nations of the Gods and Earths, and 3. These three elements are intrinsic to the creation and sound of the Wu-Tang Clan: 1.

Happy 25th Anniversary to RaekwonвЂ™s debut solo album Only Built 4 Cuban LinxвЂ¦, originally released August 1, 1995.